Muhr employs two worlds of images for his portrait: the singer's home, a small house in a suburban yard in Vienna, and footage of performances. Images of the home and yard, made with a love of detail, are accompanied by Lucy's descriptions of how her private refuge works. Closeups of the singer at work, staged scenes of her gender-bending act: makeup, lipstick and eye shadow are demonstrated and celebrated, rather than made to appear natural by lighting and the camera.