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Bright portrait of Lark VCR, a white genderfluid person, against a red-and-yellow diagonal-striped background. They are turned to their right showing their side profile and neon green hair.
San Francisco, California, United States of America
Santa Ana, California, United States of America (1981)
Berkeley, California, United States of America
San Francisco, California, United States of America
Cambridge, Massachusetts, United States of America
Lark Alder
Lark Buckingham
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Trans
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BIPOC
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trans
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Lark VCR (aka Lark Alder) makes speculative proposals to explore the pitfalls and
possibilities of an increasingly digitized and bioengineered world. Working in hybrid
forms of video and web-based media, they leverage humor as an entry point to engage
audiences in nondidactic cultural critique.
VCR stands for Virtually Conflicted Reality - it is both an homage to analog video
and a skeptical nod at the techno-utopian promises of virtual reality (VR). Experientially,
it is the state of perpetual disconnect we navigate as cognizant individuals who have
no choice but to participate in systems defined by injustice.
Lark received an MFA from UC Berkeley in 2016 and is currently teaching courses at
intersections of art, technology, and queerness at San José State University and Stanford
University in their home state of California.
Animator, filmmaker, performance artist, designer, tinkerer, activist, and data scientist,
Lark Buckingham is a versatile and multidisciplinary provocateur.
Growing up, Lark excelled at math and science. However, they realized early on that
their interest was not “in the pursuit of the concrete,” but rather in using their
technical and analytic ability towards creative processes. At Harvard, they continued
to explore hard sciences and computing, but embarked upon the study of film as well.
While taking courses in film production, Lark discovered and fell in love with animation,
“the perfect blend of calculation and creativity.”
Upon graduating, Lark undertook a career in nonprofit television broadcasting before
turning to motion graphics. At the same time, they began to dedicate creative energy
to music and performance, playing the clarinet, keyboard, bass guitar, and electronic
tambourine in several experimental and improvisational bands. Around 2010, they started
to perform solo and incorporated non-musical elements into their set, including lectures,
literature, time-based sculpture, ventriloquism, and video projections. Increasingly,
Lark’s work focused on the ways in which technology mitigates the human experience
and, in turn, our identities.
film/video, 2013
Director
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