Paul Rowley is a visual artist and filmmaker. He first began making films in 1995. Since then he has completed over 40 shorts, features, documentaries, video installations, and experimental films. He works as a director, editor, cinematographer, writer and producer. His most recent film, The Red Tree, is a doc/hybrid that tells the little known history of Italian gay men being arrested and exiled to a remote island during Mussolini’s Fascist regime. The film is narrated by renowned Italian actor Leo Gullotta, and premiered at BFI Flare and will become part of the prestigious Criterion Collection this summer. The film has played at over 100 festivals in the past year and won multiple awards, including the audience award at New Fest – the New York LGBTQ+ Film Festival, and best doc awards from St. Petersburg , Verona, Padua and others. THIS ONE’S FOR THE LADIES which Paul shot and produced for Determined Pictures premiered in Competition at SXSW 2018 where it picked up a Special Jury award and worldwide distribution from NEON. The enjoyed a wide cinema distribution and film is now available on iTunes and Hulu. Paul’s work has received many awards over the past years including the Glen Dimplex award from the Irish Museum of Modern Art, the Irish American Art Award (both the under 35 and overall prize), the New Langton Arts Award, and nominations at the Irish Film and Television Awards. His work has been funded by the Irish Arts Council, the Irish Film Board, Culture Ireland, and the New York Foundation for the Arts among others. He has received fellowships from the MacDowell artist colony, the Bogliasco Foundation in Genoa, and the Atlantic Centre for the Arts in the US. He was the winner of the Irish Film New York Rising Star award and this summer will be artist in residence at the Centre Culturel Irlandais in Paris. In 2007 Paul along with Nicky Gogan and Maya Derrington founded the production collective Still Films. Based in Dublin and Brooklyn, the company produces documentaries, features, artist films and experimental films. Still Films have received slate funding from the Irish Film Board, have been nominated for two Irish Film and Television awards, and were awarded the Michael Dwyer Discovery Award by the Dublin Films Critics Circle for their work. Feature documentaries include Seaview, Pyjama Girls, The Participants, The Rooms, and Build Something Modern. FILMOGRAPHY Seaview, which Paul co-directed with Nicky Gogan, was filmed in the former Butlin’s holiday camp at Mosney, Ireland, which is now used as a holding centre for asylum seekers. The film eschews the traditional talking heads approach to documentary and instead uses the style of video installations to create a portrait of this very particular place and the people who find themselves stuck there for years on end. The film premiered at the Berlin Film Festival and toured to many festivals internationally, including Hot Docs, Sheffield Doc/Fest, Silverdocs, and the DMZ doc festival in Korea where it was awarded a special jury mention. Seaview was also nominated for an IFTA (Irish Film and Television Award). Collaborative partnerships are a central part of his work. Many of his projects have been created with other artists and filmmakers such as Nicky Gogan, David Phillips, Tim Blue and Emily Manzo. Paul and David’s first short film Suspension was completed in 1998 and won a Golden Gate Award at the San Francisco International Film Festival. In 2000 they won the Glen Dimplex Artists’ Award, the Irish Museum of Modern Art’s annual contemporary art prize. They have continued to collaborate on a variety of projects since, principally video installation works and experimental film. Their latest public commission, Local Time, is a sixty screen permanent installation in the International arrivals terminal of Los Angeles airport. Much of David and Paul’s collaborative work can be viewed here. Paul continues to work in experimental film in addition to his feature film work. His work often combines elements of video installation and experimental film techniques with more traditional documentary forms. In 2010 he completed a feature length experimental film in collaboration with Tim Blue – The Rooms. Funded by a Project Award from the Irish Arts Council, the film looks back at the ruins of the 20th century and presents a world abandoned that somehow continues to operate. The film had its premiere in the Irish Film Institute in Dublin and it’s international premiere at the Pompidou Centre in Paris. Paul and Nicky co-directed a second collaborative feature documentary, Build Something Modern, a Reel Art commission funded by the Irish Arts Council. The film looks at the little known phenomenon of Irish architects designing hundreds of modernist buildings in Africa in the 1960s and 70s, many of them never traveling to supervise the work, but instead designing solely by correspondence. The film premiered at the Dublin International Film Festival and is now taught in architecture and African studies courses internationally. Paul Is a member of the Brooklyn Filmmakers Collective. He serves on the overview committee for the Bogliasco Foundation, has been a juror at the Sheffield doc/fest and was Director of Programming for GAZE, the Dublin International Lesbian and Gay Film Festival. He is the video director for Gays Against Guns in New York City, a direct action group working to end bigotry and gun violence.

Paul Rowley is an Irish filmmaker and visual artist based in Brooklyn, New York. For over twenty years he has been making work that combines elements of documentary, video art, and fiction into immersive and often politically engaged films. His work has screened at the Centre Pompidou, Berlin Film Festival, Irish Museum of Modern Art, Irish Film Institute, SXSW and many film festivals internationally. Past feature documentaries include SEAVIEW, a film made in collaboration with asylum seekers in the former Butlin’s holiday camp in Mosney, Ireland, and THE RED TREE which tells the little known story of Mussolini’s prison island for gay men. He has twice been nominated for Irish Films and Television Awards and was recipient of the Irish Museum of Modern Art’s Glen Dimplex Award. His 2022 film GAYS AGAINST GUNS follows a radical direct action group of LGBTQ+ activists as they work to end the American gun violence epidemic.

Rowley began making films in
1995. Since then he has completed more than 30 shorts, feature films, video installations, and documentaries. His work has been funded by NYFA, Irish Arts Council, Irish Film Board, Culture Ireland, and others. He has received fellowships from MacDowell, the Bogliasco Foundation, and Atlantic Centre for 
the Arts. His
 most recent commission, Local Time, is a 60-screen permanent installation at LAX airport. Seaview (a documentary about asylum seekers living in an abandoned holiday camp that he co-directed with Nicky Gogan) premiered at the Berlin Film Festival (Forum), was awarded a special jury mention at DMZ docs Korea, and was nominated for an IFTA (Irish Film and Television Award). His short Suspension won a Golden Gate Award at the San Francisco International Film Festival. Rowley was also awarded the Irish American Art Award (under 35 and overall prize), the New
Langton Arts Award, and the Glen Dimplex Artists' Award ( the Irish Museum of 
Modern Art's annual contemporary art prize). He recently completed a second feature
 documentary as director, Build Something Modern, an Irish Arts 
Council Reel Art commission. The 
film premiered at the Dublin International Film Festival and examines the unknown history of Ireland simultaneously exporting Christianity and Modernism to West Africa in the 1960s. His 2010 feature length experimental film, The Rooms, premiered at the 
Pompidou Centre, Paris, in 2011. Rowley serves on the selection panel for the Bogliasco Foundation, was a juror at 
Sheffield doc/fest, and was director of programming for GAZE, the Dublin LGBT Film Festival in 2011. He is currently developing two new feature films.