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An intimate self portrait of Harry Dodge taken in a home bathroom mirror. Harry is a light-tan skinned genderfluid person with soft greying curtain mullet hair and light facial hair. They are shirtless with their collar, shoulder and chest tattoos visible as well as top surgery scars.
San Francisco, California, United States of America (1966)
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Harry Dodge, an American visual artist and writer whose interdisciplinary practice
is characterized by its explorations of relation, materiality and ecstatic contamination,
was the recipient of a Guggenheim Fellowship in 2017. His first book, a work of literary
non-fiction entitled My Meteorite, or Without the Random There Can Be No New Thing
is forthcoming on Penguin Press (2020). Dodge’s sculpture, drawing and video work
has been exhibited at many venues nationally and internationally, including solo shows:
User, at Callicoon Fine Arts (NY, 2019); Works of Love at JOAN (LA, 2018), a show
which also traveled to Tufts University Art Gallery (2019); Mysterious Fires at Grand
Army Collective (Brookyn, 2017); The Inner Reality of Ultra-Intelligent Life, at Armory
Center for the Arts, Pasadena (2016); The Cybernetic Fold at Wallspace (NY, 2015);
Meaty Beaty Big and Bouncy at The Aldrich Contemporary Art Museum (CT, 2013).
Group exhibitions include New Museum’s 40th anniversary exhibition TRIGGER (2018);
Selections from the Permanent Collection at MOCA (LA, 2017); Living Apart Together:
Selections from the Collection at Hammer Museum (LA, 2017); Hammer Museum’s 2014 Biennial,
Made in L.A.; and a three-person show at London’s The Approach Gallery, Triples: Harry
Dodge, Evan Holloway and Peter Shelton. Dodge’s work is in collections including Museum
of Contemporary Art (LA), Hammer Museum (LA). Dodge’s collaborative video work with
Stanya Kahn was part of the 2008 Whitney Biennial and is part of the collection at
Museum of Modern Art (NY).
In the early 90s, Dodge was one of the founders of the now-legendary San Francisco
community-based performance space, The Bearded Lady, which served as a touchstone
for a pioneering, queer, DIY literary and arts scene. During that time Dodge also
wrote, directed, and performed several critically-acclaimed, evening-length, monologue-based
performances, including Muddy Little River (1996) and From Where I’m Sitting (I Can
Only Reach Your Ass) (1997). In the latter part of 90s, Dodge co-wrote, directed,
edited and starred in (with Silas Howard) a narrative feature film, By Hook or By
Crook, which premiered at Sundance in 2002 and went on to garner five Best Feature
awards.
Dodge holds an MFA from Milton Avery School of the Arts at Bard College and is permanent
faculty of the School of Art at California Institute of the Arts, Program in Art.
film/video, 2001
Director
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