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Ontario Art Council

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Type of funding body
Location

Canada

Ontario, Canada

Toronto, Ontario, Canada

Description

In 1962, several visionary Ontarians approached John Robarts, Premier of Ontario, with the idea of establishing a provincial arts council. This group, led by Arthur Gelber, represented the fledgling arts infrastructure that existed then in Ontario. On April 26, 1963, Bill 162 – the legislation setting up the arts council – was given its final reading in the Ontario Legislature, creating the Ontario Arts Council (OAC). Ontarians, through their elected officials, had decided that the arts were important to their lives and deserved support through public funding. It was the beginning of a system that, with the assistance of other municipal, provincial, and federal funders, has enabled Ontario to flourish as an artistically rich and creative province. OAC is an agency that operates at arm's length from the Ministry of Tourism, Culture and Sport. The OAC's grants and services to professional, Ontario-based artists and arts organizations support arts education, Indigenous arts, community arts, crafts, dance, Francophone arts, literature, media arts, multidisciplinary arts, music, theatre, touring, and visual arts. The OAC is directed by 12 volunteer board (council) members who come from communities throughout the province. They are appointed by the Government of Ontario for a three-year term. The OAC's board is responsible for setting OAC's policies and oversees the organization's operation. For 60 years, the Ontario Arts Council has played a vital role in promoting and assisting the development of the arts for the enjoyment and benefit of Ontarians. In 2021-22, OAC invested its grant program budget of $56.4 million in 237 communities across Ontario through 2,665 grants to individual artists and 1,050 grants to organizations.

Ontario Arts Council. “About Us.” Accessed December 20, 2023. https://www.arts.on.ca/about-us.
Work funded
  • Hookers on Davie

    film/video, 1984

    Janis Cole and Holly Dale made their feature length documentary about sex work in Vancouver where cis women worked with transgender women, transvestites and males in what once once known as the prostitution capitol of Canada. A court injunction and the work of Concerned Residents of the West End (CROWE) moved the hookers out of the area and into more dangerous non-residential neighbourhoods in the summer of 1984.